Film Comment: Summer of Fear

Summer of Fear, the somewhat misleading title of this 1996 made for television movie, gives the viewer no idea of what is about to happen. When you think you know what is going on, you don’t. The story does not actually produce fear in the viewer but more of an anticipation of what is about to happen, since you soon realize that something is not quite right with Simon. People expecting “blood and guts” have called it “too tame to be a thriller.” Admittedly, this is not an Oscar winning film. It is more like a film one would expect from the Lifetime Movie Network. (The film should not be confused with the more intense 1978 Wes Craven film, also titled Summer of Fear. Both films are based on the novel, Simon Says.)

Echo Bridge Home Entertainment posted this plot synopsis on the Internet Movie Database (IMDB.com):  “When Lucas Marshall and his family are attacked en route to their summer vacation, a passing drifter comes to their rescue. But soon after being welcomed into their home, the stranger engages the family in a treacherous game of deceit and manipulation, forcing them to realize that his encounter with them was no accident.” The film features several television actors who were once quite ubiquitous on television but who now are seldom seen.

Lucas (Gregory Harrison), a city-living middle class businessman, inherits his aunt’s summer home in a small town. While he and his family are traveling to the home for a summer of relaxation and home remodeling, they are carjacked by two thugs. The men seriously damage Lucas’ foot and ankle and he watches helplessly as they sexually molest his wife.

The only thing which prevents the men from raping the wife (Glynnis O’Connor) is the arrival of Simon (Corin Nemec), a local teenager, who chases the men away with his shotgun. The shotgun turns out to actually be just a large walking stick. Simon is a very resourceful and talented young man.

Gratefully, the family invites Simon to the summer home for a day. Soon, Simon is using their boat, fixing the malfunctioning clothes dryer, cleaning the house’s gutters, wooing the the teenaged daughter, becoming a buddy to the young pre-teen son, and, eventually, successfully seducing the mother. Simon is clearly in charge, taking over the family from the loving but ineffectual father and husband.

This is a story of deceit, guilt, psychological horror, hints of incest, anger, resentment, adultery, and a very dark, long-hidden secret seeking a resolution. It is an example of how “the sins of the fathers” can come back to haunt the children for generations to come.

Lucas ends the dangerous situation non-violently by bravely telling the truth. In the effort, he finally wins the respect of his family. He also seems to have finally come to respect himself.

Though this movie presents itself as a horror film, it ultimately is a drama about a disturbed family. Very prominent themes are personal responsibility, the destructiveness of keeping “secrets,” the generational effects of hatred and revenge, and the redemption which can come from “clearing the air.”

Film Comment: Megan is Missing

One commenter on Netflix calls Megan is Missing, “Maybe the most disturbing thing I have ever seen.”  Another says, “Everyone with young teen children should watch this and take the warnings to heart.”  Many commenters just said, “Don’t watch this.”  At least one commenter makes the absolutely ludicrous claim that the film amounts to victim blaming. Some criticize the film saying that it is nothing more than "torture porn" and that it capitalizes on pedophilia and child abduction.  The reason I think that it is not intended to be exploitive is the included video statement by Marc Klaas, whose young daughter Polly was abducted, raped, and murdered.  Klaas seems to be a hardened, driven man.  I do not believe that he would put his endorsement on a film which exploits the very thing against which he has battled for years.

http://www.klaaskids.org/about/pollystory.html

http://www.pollyklaas.org/

A few Netflix commenters, who totally missed the point, said that the film is not a very good horror film. This is true and not true.  As a "horror film," Megan is Missing is technically not up to current standards; the acting is substandard, the special effects are minimal, there is little actual plot, and the "horror" does not appear until the last twenty minutes.  For caring, but naive, parents or for the clueless or careless teenager, this film can produce wide-eyed horror!

A warning: I would say that you should not watch this film. Once you have chosen to seen this film, you will be unable to “unsee” it; it will frighten, disgust, and militarize you. This film can be psychologically damaging to some people.  Two sixteen year old viewers reported being "mentally scarred" by the film, but another said, "I wish more girls my age would watch this; maybe they wouldn't go missing." The film contains near constant profanity, teenage sexuality, teenage drug use, rape, physical abuse, pedophilia, abduction, murder, fetishism, gore, and other disturbing elements.

The film is about two girls.  Fifteen year-old Megan is a sexually promiscuous drug-using party girl who maintains a close friendship with an unlikely partner, the sweet, naive, and innocent Amy, who is rejected by the other girls in town precisely because she is sweet, naive, and innocent. Megan's family life is terrible: her father is absent, her stepfather is in prison, and her mother's only parenting skill is to yell.  Amy's parents are loving, sweet, affectionate, conventional parents who know absolutely nothing about her personal life. Both sets of parents are totally unaware of what is happening to their girls.

Megan has met an interesting young man on line (she has never actually seen him because his "webcam is broken"). She agrees to meet him behind the local diner. She goes alone and disappears.

Amy is sure that something bad has happened to Megan and is afraid that the young man whom Megan met online is involved.  She contacts the young man online and during their argument, he insults and threatens her.  She takes her fears to the police and then suddenly disappears.

The last twenty minutes of the film are so intense and horrible that they disturbed even some of the long-time horror gore-hounds who complained about this film.  

There is no mention of Christianity or even of religion in this film.  That does not mean that there is nothing that Christians can take from this movie.

1. Be aware of who your children's friends are.

2. Be aware of your children's cell phone and internet activities.

3. Try not to frighten your children but make sure that they are aware of the tactics used by sexual predators.  As I have told my grandchildren, "Don't be afraid, just be smart."

Jesus said, "Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves." Matthew 10:16 (KJV)

We are to be confident and wise and not do stupid things. We should teach our children also to be confident and wise and not to do stupid things.

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Information about Internet safety.

http://christianity.about.com/od/practicaltools/tp/christianisps.htm

http://www.covenanteyes.com/2013/11/20/internet-safety-christian-solutions/

http://www.internetsafety.com/press-internet-safety-solution-safe-eyes.php

Excellent, detailed child internet safety information.  Adults would do well to also follow these rules.  The information was reviewed by Steven Dowshen, MD

http://kidshealth.org/parent/positive/family/net_safety.html

http://kidshealth.org/parent/misc/reviewers.html

Film Comment: This Is the End

Collect up at least one hundred film actors, singers, and entertainers at a wild drug and alcohol fueled party, then start the end of the world, complete with giant monsters and demons. The Earth cracks open and people fall into a burning Hell. Have the actors portray themselves, thrown into this situation.

This Is the End (2013) has a cast filled with big name celebrities: Jamez franco, Seth Rogan, Jay Baruchel, Channing Tatum, Jonah Hill, Dany McBride, Michael Cera, Emma Watson, Mindy Kaling, David Krumholtz, Christopher Mintz-Plasse, Rihanna, Paul Rudd, The Backstreet Boys, and many others.

When the trouble starts everyone runs outside as the world begins to burn and explode around them.  Too dumb, selfish, cowardly, drug-addled, gluttonous, etc. to “escape” some do not even notice the disturbance.  But they soon will. The six main protagonists run back into the “safety” of the house.

The guys tell themselves they will survive because they are “good people,” but they realize that they are not.  The film does not show any of these people in a good light.  They all realize that they are damned.

The film, a comedy with some undeniably hilarious moments, features violence, gore, impalement, decapitation, penis jokes, nudity, profanity, cannibalism,  homosexuality, demons, intentional blasphemy, obscenities, betrayal, alcohol and drug abuse, self-righteousness, taking God’s name in vain, urination, vomit, obscene gestures, discussion of intent to rape in the presence of the intended victim, masturbation, demonic possession, prayer for the death of another person, sexual slavery, cowardice, self preservation at the expense of other’s lives.  Did I forget anything?

The supposedly ”happy” messages of the film are:

1.     Self-sacrifice confers instant entry into Heaven.

2.     In Heaven, we become angels.

3.     In Heaven, you can have anything you want, even a dooble.

4.     There is no need to be a “Christian” to enter into Heaven.

5.     Heaven is just another wild party.

6.     The Rapture looks like an alien abduction with a beam of light pulling the person up into the sky.

This highly offensive film intends to offend in every way imaginable, showing a contempt or disregard for any conventional understanding of propriety or morality.  It made me wonder.  The actors, portraying themselves, know that they are damned.

In the film, they are facing evidence which, at the very least, proves that God and the supernatural are real.

These are extremely talented, supposedly very intelligent comedians who have gone out of their way to intentionally offend nearly everything related to Christianity and the End Times.  Should not this film prod these actors into actually thinking about their real-life situations?

To some, or most of the actors, I am sure that this was all just a big joke.  Perhaps they are like many people and do not believe anything at all.  Post-modern moral and intellectual relativism at its logical conclusion.

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This is an end of the world film where the Earth is not merely damaged, but is actually destroyed.  Two other prominent films of this type are When Worlds Collide (1951), which depicts the chaos which erupts when a planet the size of Earth is on a collision course with our planet.  The other is Seeking a Friend for the End of the World (2012), a surprisingly tender and bittersweet love story.  Either of these two films would be an infinitely better use of your two hours than This Is the End.

Stirring Up a Hornet’s Nest

Read about the Ariel Castro kidnapping case in these links.

http://www.huffingtonpost.com/2013/05/08/ariel-castro-had-ropes-an_n_3237412.html

http://www.usatoday.com/story/news/nation/2013/05/07/castro-berry-cleveland/2140619/

http://www.cbsnews.com/8301-201_162-57583428/ariel-castro-cleveland-kidnapping-suspect-helped-look-for-missing-girl/

http://www.dailymail.co.uk/news/article-2320564/Ariel-Castro-pictured-Suspect-Amanda-Berry-Gina-DeJesus-Michelle-Knight-kidnap-arrested--BROTHERS.html

http://www.cleveland.com/metro/index.ssf/2013/05/tv_station_reports_berry_dejes.html

http://www.lifenews.com/2013/05/16/letter-asks-prosecutor-to-charge-ariel-castro-over-five-forced-abortions/

http://www.cbc.ca/news/world/story/2013/05/10/ariel-castro-cleveland-kidnapping-rape-charges.html

http://www.cbsnews.com/8301-201_162-57583620/michelle-knight-told-cops-ariel-castro-threatened-to-kill-her-if-amanda-berrys-baby-died/
http://www.csmonitor.com/USA/Justice/2013/0510/Could-Ariel-Castro-be-tried-for-murder-Case-would-be-unprecedented

The prosecutor in this horrible case is about to stir up a hornet’s nest.  Ariel Castro stands accused of kidnapping three women and holding them against their wills for ten years.  He repeatedly raped and sexually abused all three, impregnating two of them.  One of the women was impregnated five times.  Castro ended each of the five pregnancies by starving and beating the woman.  One child, now six years old, was born to another of the hostages.

Abortion and the question of when a fetus officially becomes human are sharply divisive issues in the United States at this time.  There are already arguments beginning over whether Castro’s termination of the pregnancies constituted feticide or homicide.  If the killings are declared to have been homicides, then Castro is eligible for the death penalty.  But, if the killings are declared to have been homicides, then the fetuses will have been declared to have been human.  Obviously, for supporters of abortion rights, this just will not be acceptable.

This places the abortion supporters into a tight spot.  Virtually everyone is agreed that Castro’s crimes against the three women (they were still legally children when he abducted them) are heinous and evil.  Abortion supporters may be forced into a corner where they have to downplay the seriousness of some of Castro’s crimes.  It is a corner of their own making.

This is, of course, a religious issue, but I believe that an atheist could come to the same conclusion that I have: the killings of the fetuses were murders.

Iranian Pastor Freed

Youcef Nagarkhani (b. 1977, Iran), a pastor of the Protestant evangelical Church of Iran, was released three days ago after spending the last three years in an Iranian prison under the threat of a death sentence.  What was his crime?  Pastor Nadarkhani was originally charged with the capital crime of apostasy; leaving Islam to follow another religion.  The punishment in Iran for apostasy is death.  Though apostasy is not officially a crime in Iran, judges may still level the charge against a person based on religious fatwas.  Nadarkani insisted that he was never a Muslim; even though he was raised in a Muslim family, he never accepted Islam and, instead, became a Christian as a teenager.  He steadfastly refused to convert to Islam.

Youcef Ndarkhani's wife, Fatemah Pasandideh, was also arrested and charged with apostasy.  She received a sentence of life imprisonment but was released after four months.

International criticism of the charges against Pastor Nadarkani was raised loudly from around the world.
United States president barack Obama said, "The United States condemns the conviction of Pastor Youcef Nadarkhani.  Pastor Nadarkhani has done nothing more than maintain his devout faith, which is a universal right for all people."  The British Foreign Secretary, William Hague, also condemned the sentence.

During the three years of his imprisonment, the charges continued to change and eventually included charges of rape, extortion, and baptizing converts.  The charges, in the end, became that Nadarkhani had attempted to evangelize Muslims.  The penalty for this crime was set at three years and the pastor was released for the time he had already served in prison.

Christians around the world are rejoicing that their prayers for Youcef Nadarkhani's safe release have been answered.  Pastor Nadarkhani is to be admired for his absolute refusal to betray his faith.

Why Life Begins at Conception, Part 2

(The posts in this series may not occur on consecutive days but they will make the most sense to you if they are read in consecutive order.)

Todd Akin, a United States Representative from the State of Missouri roiled the waters when he said that women who are victims of what he called "legitimate rape" rarely get pregnant.  He seems to have been referring to forcible rape.  Regardless of what he meant, his comment has absolutely no basis in fact and reignited the contentious debate over rape and abortion.

On the Cable News Network program, Piers Morgan Tonight, two women debated the two extreme sides of the issues.

Gloria Allred, a civil rights and anti-discrimination attorney, was raped at gunpoint and became pregnant.  She chose to terminate her pregnancy and became a pro-choice advocate.  People who are pro-choice support a woman’s right to obtain an abortion. 

Rebecca Kiessling, a pro-life supporter, was born as a result of a forcible rape at knife-point.  People who are pro-life are opposed to most or all abortions.  Kiessling is an outspoken Christian.  Her testimony is here.  A text version:

http://www.cbn.com/700club/features/amazing/Rebecca_Kiessling072809.aspx

Allred and Kiessling engaged in a “spirited’ debate on the subject.  Here is the transcript and a video of the debate.  The emotions are quite raw on both sides.

Next post in this series: A scientific explanation of what happens at conception.

Film Comment: At Midnight I'll Take Your Soul

Jose Mojica Marins (b. 1936, Brazil - d. 2020) was a director/actor of what would be known in the United States as independent, non-studio films, and is credited with producing the first Brazilian horror films.  Marins’ entire life has revolved around films; his father ran a movie house in Sao Paulo and the family lived in an apartment above the theater.

Though he has made and appeared in many other films, Marins is almost exclusively known for one recurring character, Ze do Caixao (Coffin Joe), who is always portrayed by Marins.  The character is so popular that he has appeared in films, on television,  in comic books, and in documentaries.  Mentions of Coffin Joe occur in numerous songs, magazine articles, and film reference books.  He even has been parodied in the short film, The Blind Date of Coffin Joe. (2008)

Coffin Joe is the embodiment of the amoral man dedicated to one thing and one thing only, himself.  Joe first appears in the 1964 film,  A Meia-Noite Levarei Sua Alma (At Midnight I’ll Take Your Soul).  The film will not be confused with Citizen  Kane but is undeniably powerful.

There is an almost constant stream of eerie background noises, including ominous music, screams, animal sounds, and echoes.  The feeling of the film is quite intense and aggressive, pushing itself at you.  Just like Coffin Joe himself.

You Tube appears to have blocked this video.  Try this link instead.

Coffin Joe is an undertaker in a small, very superstitious town in rural Brazil.  Joe is a sadistic and brutal man who believes in nothing and enjoys the fear, disgust, and open hatred shown to him by the townspeople.  He believes himself to be infinitely superior to  all of them, For him, they exist only for his pleasure and for the accomplishment of his desires.  They are his slaves and he brutalizes them to force their obedience to him.

The one thing that Joe wants above all else is immortality, to be remembered forever.  Since he does not believe in God or the Devil and knows that he will eventually die, Joe decides that his name must live forever; in order to ensure “the continuity of blood” he decides that he must have a son, a perfect son.

To produce a perfect son, Joe is willing to commit murder, rape, torture, or any other brutality.  He is the totality of everything which is evil about the self.

The Christian view is that the self is the problem.  The Bible assumes that everyone loves themselves and it never says that we should hate ourselves.  What it does say is that we should love others as we love ourselves.  Romans 13:9-10, John 13:34-35, Colossians 3:12, Philippians 2:3, 1 Peter 5:5, James 3:13-18, 4:7.

Instead of prosperity (the heretical doctrine of the Prosperity Gospel), the Bible promises that we can expect opposition even from our own families and sometimes, persecution.  Matthew 10:34, 16:24-25.

A Little Fable

I believe that "A Little Fable" is in the public domain.  If I am in error on this I will remove it immediately.

A Little Fable, by Franz Kafka.

""Alas," said the mouse, "the whole world is growing smaller every day.  At the beginning it was so big that I was afraid, I kept running and running, and I was glad when at last I saw walls far away to the right and left, but these long walls have narrowed so quickly that I am in the last chamber already, and there in the corner stands the trap that I must run into." "You only need to change your direction," said the cat, and ate it up."

When I was in college, there was a student there, a very free-spirited girl, who had a reputation for never missing a party.  She was friendly, never met a stranger, and everyone liked her.  Then, one day, she disappeared.

Eventually, her body was found and her murder was linked to a serial killer after one of his victims was able to escape.

Everyone was talking about the case.  When the idea was advanced that the girl contributed to her own murder by the situations in which she placed herself, one person became incensed.  "You're saying that she deserved to be raped and murdered!"  Others insisted that no, she did not deserve to be raped and murdered, but she did place herself into dangerous situations which she could have avoided if she had chosen to do so.

We sometimes create our own boxes, our own mazes, our own traps, our own prisons.  There is an old Southern saying (I've "cleaned it up" for this blog), "If you walk in the sewer, you will get sewage on your shoes."

We all make many choices and each choice we make in a particular direction, good or bad, makes it easier to make the next choice in the same direction.  It also makes it less likely that we will turn around and go back the way we came. (Remember our old friend, μετάνοιά/repentance, from the 9 February 2011 post?)

Each bad choice we make can limit our future choices and we can paint ourselves into a corner.  This is an American idiom which calls to mind the image of a man with a can of red paint who begins painting the floor as soon as he enters a room.  When he reaches the far corner of the room, the only way out is to walk back across the wet red paint.

The foolish mouse in "A Little Fable" made poor choices, increasingly boxing itself into one particular direction.  When it finally realized its error, it turned around, and there was the cat.